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Imagine if you could slow down and stop time. Take a moment to examine the beautiful detail in everything that surrounds us. We are living so fast that everything is blurred and we can’t possibly appreciate the fragility of our own existence…. that’s the ethos of this exhibition, a meditation on the beautiful detail of the natural world.  Through paintings, embroidered works and a virtual reality installation – Momentary seeks to stop time.. for just a moment .. and permits us to see the beauty of an explosion, of spinning shards of glass  – the beating of a hummingbirds wings, the detail concealed within its’ plumage, the incredible pattern and order that makes up the chaos.

momentary, ink and tea on 535gsm bockingford watercolour paper 21 x 29cm £475

Momentary

I am pleased to invite you to an exhibition opening at Lilford Gallery in Folkestone this Friday the 29th July.  The exhibition is my first solo show in just over 2 years and brings together a collection of framed original works on paper, limited edition prints and a virtual reality installation.

Here is a little about the collection of work and also a snippet of the new pieces that will be on show at the exhibition which runs until 21st August at Lilford Gallery

Inspired by nature’s expansive colour palette these new works present a vivid alternate reality, ‘Let’s stop time’ invites the viewer to slow down and take time to reflect on the beauty within their surroundings, a chaotic solitary moment becomes a place for meditation.  ‘Eternity’captures the beauty and chaos of a single brush stroke within which an alternate reality is revealed like a dream or a momentary glimpse into the life of a stranger all in a single moment. In’Perfectly Still’, the ‘Hourglass’ and ‘Elevation’ time is brought to a standstill and the beauty of nature among chaos is evident, all three works begin as an abstract composition, embracing chaos and the freedom of single strokes of paint, accidents and chaos in which we seek to find order. Rising from this chaos we find beautiful accidents of nature or creation depending on our beliefs and ideologies, it seems almost irrelevant how they occur.. what is common is the beauty in infinite detail.

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‘The Mortal Coil’ challenges us to look at our own time and existence – the brevity of our time on this planet, the place we hold among our surroundings and our connections with the natural world, as the painting pulses revealing a skull beneath the layers it reminds that we are flesh and bone,it challenges us to appreciate our short time, to make the most of our existence.  In ‘Knowledge is Power’, ‘Trouble’, Brave new world and ‘Protection’ I want the viewer to look at the possibilities and opportunities that arise from a single moment – each work references the image ‘I and Love and You’  by photographer Michael Färber.  Each image searches the subject for a different story, chaos plays it’s part again and these works are an example of the approach taken to painting – allowing chaos and chance to dictate the outcome.

The smaller portraits ‘momentary’ series focus on calm and meditation – both in the approach to the drawings but also in the subject itself – they are quiet moments of contemplation and time taken to reflect.  These pieces were created at the end of the show and are a pause point and possibly and indication of where the work will turn next.

In addition to these and other original works I will be showing three new limited edition prints as follows;

A hand  embroidered print with hand painted goldleaf details called ‘A little piece of peace and quiet’ edition of 20

A Little Piece of Peace and Quiet giclee print with deckle (Custom)

A 50cm x 70cm Giclee Print – ‘Perfectly Still’ on Hahnemuhle etching paper with Hand torn edges

Perfectly Still 1000px with deckle 50 x 70cm on Bockingford 535gsm Watercolour Paper £2400

A 50cm x 50cm limited edition giclee of the Oracle Printed on Epson bright white ultrasmooth paper

The Oracle

The inclusion of the oracle as a print in this show is to link some of the works on black paper I have produced with a virtual reality installation piece called ‘Momentary’.  The piece takes elements from all of the new paintings and blends these with details from the works on black paper – but it does so in a virtual space using the HTC Vive Headset viewers are able to explore this virtual environment and examine the painting in it’s virtual sulptured form.

 

 

 

 

 

Neon Tears by Carne Griffiths

 

This is a new print launched in association with Derbby

The print is normally $149 but is reduced for Launch to just $25
For each sale the print rises in price by $1 – currently at $52! pop along to http://www.derbby.com/carnegriffiths/neon-tears to grab yours now!

The print is 16 x 20″ printed with archival inks on high quality Epson 330gsm bright white hot press paper.

I will be showing 2 new original works at Gallery different this Thursday, the 12th of May from 6pm if you’d like to come along please rsvp info@gallerydifferent.co.uk

Trouble by Carne Griffiths

Neon Tears by Carne Griffiths

Just out of Reach by Carne Griffiths

I’m delighted to be launching a new 20×16″ print on Wednesday the 27th Jan, with Derbby.

Derbby have a unique price structure which works great, making the early prints in an edition extremely accessible.  The usual selling price of Derbby Prints is $149 but for the Flash Sale the price drops to $25.. and that’s where it gets interesting, each successive sale raises the price by $1 !

Derbby aren’t cutting corners however, the print is made on a bright white Epson archival paper at a heavy 330gsm! this is embossed with the Derbby logo and accompanied by an artists signature by way of a certificate applied to the reverse of the piece… this results in a clean ready to frame image.

The piece itself was created in January of 2016 and experiments with creating more layering and more detail than usual, I wanted to give Derbby an image that would translate well in the reduction to a print, making the detail finer and crisper.  Continuing on from the earlier piece this year entitled all I want is everything, the piece reflects on commercial desire, our relationship with nature, and the unattainable.   I’ve included some work in progress images below to show the process of making the work.

If you are interested, the original work will also be made available through Derbby via a unique bidding system.  Checkout www.derbby.com for more details.

Delighted to be launching the print ‘Inner Worlds’ price starts from just $25 at 10:30am PST or 6:30pm GMT today, 4th December.

http://derbby.com/carnegriffiths/innerworlds

Prices increase by $1 on each sale – get in early 😉

Inner Worlds by Carne Griffiths (Custom) (2)
Dimensions: 16″w x 20″h  Archival Ink (Pigment Based) printed on 330 g/m2 Epson Hot Press Bright White Paper

Head over to the new website now for more details.

beautiful decay

Quick update on the work as of end day 4…

The live stream for Eden will start again on this page from 1400 GMT latest – thats 0900 EST and 0800 EDT 8th March – at other times after, a recording of the stream will be available, will be trying to get a better quality connection today!


Live streaming by Ustream

It’s been a busy couple of weeks with this project and that project, upcoming shows and opportunities but I’ve neglected the studio so I thought I’d post a work in progress and fill in a little of what shows are coming up in the month of October

Here’s an as yet untitled piece (I’ve got a couple of ideas for the title but undecided yet how it will finish)  I’ve also been filming some work in the studio against my better judgement! but to use as promo for an upcoming show.. I’ve made a video of part of this work in progress which I will be uploading soon.

So apart from planning some work with local community projects, The Stone Space and helping Co-ordinate the Drawing Crowds exhibition with fellow artist El Bedlow, I have prepared work for upcoming shows and been fortunate enough to have work accepted with the following galleries.

Inkd Gallery – a fantastic space down on North Road in Brighton – They have just received ‘uprooted’ and ‘take cover’ (shown below).  I am particularly pleased with the uprooted piece as it represents an area of drawing which I strive to bring into my work but is not something I can force… if you get a chance to pop into Inkd – ask to have a look at the piece – it may be tucked away in a drawer for safekeeping for now but I’m hoping it will grace their walls soon

  
Uprooted & Take Cover – now showing with Inkd Gallery

Opus have requested 4 pieces from the violence of flowers series, the works Crushed, Taunted, Torn and Smother are available online from their website now.

I will be participating in a number of shows coming up in October,

Multiplied contemporary editions fair at Christies with Eyestorm where I will be showing the ltd edition prints of Rose.

Then in mid October I will be showing some brand new pieces at an exhibition at the Hospital Club with West London Art Factory – put together by Jewel Goodby and featuring the following confirmed artists, Inkie / Carne Griffiths / Max Wiedemann / George Morton-Clarke / Ben Slow / Danny O’Connor / Fin Dac / Zeus / Cosmo Sarson / Milo / Warren J Fox / Jewel / Laura Tinald / Belinda Frikh / Joanna Scislowicz /
Then at the end of October I will be showing 6 original pieces with Eyestorm from the Violence of flowers at the Affordable Art Fair @ Hamspstead Heath….

Then there is a possibility of a solo show at the end of Oct too… but I’ll fill in more about that when I know what’s happening.

If you would like any more information about any of the shows or are interested in any of the work just drop me an email to carne@carnegriffiths.com

 

Looking forward to getting into the studio tomorrow!

 

Looking forward to tonight’s private view for Violence of Flowers and seeing friends that I have not seen for far too long.  If you can make it along I will be in the Castle from about 6pm – PV runs till they throw us out.

In the studio I have worked on a few new pieces, recently finished are ‘Overgrown’ and ‘Take Cover’ and am working on a new piece which is now nearly complete – will be posting later.

Hope to see you tonight

Good day in the studio yesterday – after collecting work from the Contemporary Romantics show I got back in the studio just before the heavens opened and finished off a new piece of work.. was a strange drawing experience and one of the more ‘automatic’ drawings I have carried out recently.  Thought I would post it to the blog as I haven’t decided whether it fits with the series ‘Violence of Flowers’ but maybe it works because it is so different to the others.  Most importantly it was a really euphoric experience making the work and I’m keen to share it so here it is!

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