Wasn’t aware of this geometrical design until today – going to use it as the starting point for 2 new pieces 1 small and one large quadrant piece to work alongside closer.
I have photographed this piece with the inks still wet, this is exactly the effect that I am achieving working with Harwood King using varnish layers on the prints.. it helps to give a real vibrancy to the colour.
Work in progress a new larger scale piece of work, whereby I am returning to concentrate on the underlying drawing in the piece. This is the largest piece I have worked on, being 1.2 metres square and is a stepping stone to a planned 1.5m metre square piece to see how the inked foliage combines in scale within the image… more pictures to follow as the piece progresses.
Goldleaf explores sacred geometry, the golden section and it’s link to floral forms. Ink and Tea on paper
Carne Griffiths Blog 