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Just out of Reach by Carne Griffiths

Just out of Reach 24ct Gold Detail

Just out of Reach - Varnish Detail
Just out of Reach (available here) an archival limited edition print on 330 gsm Somerset Paper with hand torn edges, 60 x 80 cm.
The print accurately reproduces the original painting as an archival quality giclee print adding 24 carat heavy gold detailing and varnish layers to enhance the elements within this print.

 

Details of the varnish and gold leaf can be seen clearly in this video
https://www.youtube.com/watch?v=kyV3eIFfUxA

Full Details of this edition

Print Medium: Giclee with Screenprinted Varnish Layers and 24 carat gold detailing
Print Size: 50 x 70cm paper size 60 x 80cm
Edition Size 50 prints plus 5 x Artist Proofs
Signed and editioned by the artist.

More information about the Print

Just out of reach brings to attention the things which we desire and reminds us of the importance of the natural world. Combining imagery from advertising and fashion with nature, the artist utilises the powerful ‘selling gaze’ and uses it to transport the viewer into a fantasy world abound with rich nature and lush vegetation. The broken shards of glass symbolise the moment of realisation, when we rediscover the beauty in our natural surroundings. The use of glazes on the shards of glass and the opulence created by the 24 ct gold detail serve to question just what riches are and what is important in life.

Our greatest desires are normally the things just out of reach.

 

This is probably the final piece created for 2015, a hypnotic state, for a client in the US.

EPSON scanner image

The piece returns to a theme of shattered glass that I used in the Inkd Gallery exhibition Fragile a number of years back – I am fascinated by optics and also how best to convey them in this medium.  The thing about drawing glass is that it has very little form or shape itself.  It’s interesting, the way in which it displaces the things round it.

I’m excited about expanding the palette with a new range of calligraphy inks with a more intense colour base too and I discovered a number of new techniques working this new commission – one of which was to enhance the immediate and visceral graphite lines by tracing over them deliberately with fountain pen.  There is something about the contrast of the two marks together on the page that I find really exciting, one is the chaos of the free line that comes from the subconscious, and the second is the very deliberate line, that follows the same path but in a different way.  There is a repetition about the process but also a contrast in the approach, and for me it really helps draw attention and give importance to the parts of the work that are more spontaneous and automatic.

EPSON scanner image

Adding geometric detail in amber ink

EPSON scanner image

Ink detail, with ‘enhanced ‘ graphite lines

EPSON scanner image

Outlining and enhancing with calligraphy ink

EPSON scanner image

Natural ink separation with surface pattern added in fountain pen

EPSON scanner image

Creating solid forms from accidental marks

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